Incub(āre)

Apokalýptikos 

Incub(āre)

(Bricolage Ink Drawing, 12 x 16)

Succub(āre)

Succub(āre)

(Bricolage Ink Drawing, 12 x 16)

Lilith on the Stairs

Lilith on the Stairs*

(Daniel Y. Harris’ Installation 

Photographed by Jay Jones)

*Lilith on the Stairs (installation by Daniel Y. Harris, photograph by Jay Jones) 

was originally published at the book cover art for Daniel Y. Harris’ 

The Underworld of Lesser Degrees (NYQ Books, 2015)

Lilith the Contortionist (Variation)

(Bricolage Sculpture, 27 x 24 x 12)

The Teleology of Alef

The Teleology of Alef  

(Digital Painting)

Harmagedōn

Harmagedōn

(Digital Painting)

Magen David

Magen David 

(Wood Sculpture, 24 x 24 x 2)

Black Glove Colloqu(ī)

Black Glove Colloqu(ī)

(Photograph, Installation Detail)

Reliquary for Paul Celan

Reliquary for Paul Celan 

(Bricolage Painting, 18 x 24)

Drashic Corruption

Drashic Corruption 

(Bricolage Painting, 10 x 12)

La Mariée Mise à Nu Par Ses Célibataires, Même

La Mariée Mise à Nu Par Ses Célibataires, Même 

(Glass Sculpture, 18 x 24)

Judenrein

Judenrein 

(Bricolage Painting, 10 x 12)

The Maharal’s Libido

The Maharal’s Libido  

(Bricolage Ink Drawing, 12 x 16)

The Akedah

The Akedah 

(Bricolage Painting, 18 x 24)

Gehinnom

Gehinnom   

(Bricolage Painting, 18 x 24)

Līlītu

Līlītu 

(Bricolage Sculpture, 18 x 24 x 2)

Pleroma

Pleroma

(Bricolage Sculpture, 48 x 24 x 4)

Clinamen

Clinamen*

(Bricolage Painting, 35 x 46) 

*Clinamen doubles as The Disappearance of Gabriel (image to accompany Andrei Codrescu’s (“For Poems & Some Polemics”) X-Peri, September 2016

Fort/Da

Fort/Da

(Bricolage Sculpture, 30 x 20 x 7)

Apocrypha of the Erotic Bicycle

Apocrypha of the Erotic Bicycle 

(Bricolage Sculpture, 30 x 20 x 7)

Rise of the Eschaton

Rise of the Eschaton 

(Bricolage Sculpture, 48 x 24 x 8)

Gilgulim in the Pipes

Gilgulim in the Pipes

(Bricolage, 48 x 24)

Apostasy of the Axe

Apostasy of the Axe 

(Bricolage, 48 x 24)

Les Poètes Maudits

Les Poètes Maudits

(Bricolage, 48 x 24)

Laughter in the Holy America, Sandwich Bag

Laughter in the Holy America, Sandwich Bag 

(Bricolage Sculpture, 48 x 24 x 8)

Ezekiel’s Hayyot

Ezekiel’s Hayyot 

(Digital Painting)

Hyperlinks of Anxiety

Hyperlinks of Anxiety* 

(Bricolage Painting, 48 x 60)

*Hyperlinks of Anxiety (image by Daniel Y. Harris) was originally published as the book cover art for Daniel Y. Harris’ Hyperlinks of Anxiety (Červená Barva Press, 2013).

Postpartum

Postpartum 

(Bricolage Painting, 35 x 46)

Syzygy

Syzygy 

(Bricolage Sculpture, 24 x 16 x 7)

Prophylaxis

Prophylaxis 

(Bricolage Ink Drawing, 18 x 24)

The Kelipot

The Kelipot* 

(Bricolage Painting, 22 x 26)

*The Kelipot (image by Daniel Y. Harris) was originally published as the book cover for Poetry Salzburg Review (Salzburg, Austria), No. 11, Spring 2007. 

Exodus

Exodus 

(Bricolage Painting, 22 x 26)

Dybbuk

Dybbuk

(Bricolage Painting, 37 x 27)

Shevirat ha-Kelim

Shevirat ha-Kelim 

(Digital Painting)

Gate of Extinction

Gate of Extinction 

(Bricolage Sculpture, 24 x 16 x 7)

Deathfugue

Deathfugue 

(Bricolage Sculpture, 48 x 24 x 8)

The Prodigy

The Prodigy

(Bricolage, 16 x 20)

Rapture

Rapture 

(Digital Painting)

Coda

Coda*

(Digital Painting)

*Coda (image by Daniel Y. Harris) was originally published as the book cover art for Mark Pawlak’s 

Jefferson’s New Image Salon, Matchups & Mashups 
(Červená Barva Press, 2010), Somerville, Massachusetts 

Rise of the Eschatons

Rise of the Eschatons* 

(Assemblage on 1960s Zenith 

Television, 42 x 30 x 12)

*Rise of the Eschatons (image by Daniel Y. Harris to accompany Nathan Spoon’s “Excerpts from Doomsday Bunker”) X-Peri October 2017

Azazel

Azazel

(Painting, 22 x 26)

Judith

Judith

(Bricolage, 16 x 20)

I, Jude

I, Jude 

(Digital Painting)

יהוה

יהוה

(Assemblage on Portable 
Television Set, 12 x 10 x 8)