The Wormhole Series
Ho|ma|ge
to Hinge Theory
(Digital
Bricolage)
Daniel Y. Harris' Sauvage Art
Thursday, June 28, 2018
Ho|ma|ge to the Adamic Hand
Ho|ma|ge
to the Adamic Hand*
(Digital
Bricolage)
*Ho|ma|ge
to the Adamic Hand (image to accompany Mark Young’s, “The Stations of Lacrosse
and New Poetry,”) X-Peri,
February 2016
Ho|ma|ge to the Scat Warehouse
Ho|ma|ge
to the Scat Warehouse*
(Digital
Bricolage)
*Ho|ma|ge
to the Scat Warehouse (to accompany David Alpaugh’s “GOON RIVER ANTHOLOGY,
Seven Double-Title Poems.”) X-Peri,
November 2017
Wednesday, June 27, 2018
Ho|ma|ge to the Trinity
Ho|ma|ge
to the Trinity*
(Digital
Bricolage)
*Ho|ma|ge
to the Trinity (image to accompany Rupert M. Loydell’s, from “WHITE NOISE 3,”) X-Peri,
December 2015
Tuesday, June 26, 2018
Ho|ma|ge to Dr. Vibe, the Gas Mask Anthropos
Ho|ma|ge
to Dr. Vibe, the Gas Mask Anthropos*
(Digital
Bricolage)
*Ho|ma|ge
to Dr. Vibe, the Gas Mask Anthropos (image to accompany Charlie Baylis’, “The
Litanies of Charlotte,”) X-Peri,
March 2016
Ho|ma|ge to Eschatology Spam
Ho|ma|ge
to Eschatology Spam*
(Digital
Bricolage)
*Ho|ma|ge to Eschatology Spam
(image to accompany Mike Ferguson’s “The Spam Poems,”) X-Peri,
May 2016
Monday, June 25, 2018
Ho|ma|ge to the Near Death Experience
Ho|ma|ge
to the Near Death Experience*
(Digital
Bricolage)
*Ho|ma|ge to the Near
Death Experience
(image to accompany Nathan Spoon’s “Of Redisplacement and To Various Makers,”)
X-Peri,
August 2016
Sunday, June 24, 2018
Ho|ma|ge to the Infernal City
Ho|ma|ge
to the Infernal City*
*Ho|ma|ge to the Infernal City (image to accompany
Norman Fischer’s “On a Train at Night,”) X-Peri,
October 2016
Saturday, June 23, 2018
Friday, June 22, 2018
Ho|ma|ge to the Blue Sonata
Ho|ma|ge
to the Blue Sonata*
*Ho|ma|ge to the
Blue Sonata
(image to accompany Stanford Cheung’s, “THE WORD REN,”) X-Peri,
April 2016
Thursday, June 21, 2018
Ho|ma|ge to the Bloodhand Theater
Ho|ma|ge
to the Bloodhand Theater
(Digital
Bricolage)
Ho|ma|ge to the
Bloodhand Theater
(image to accompany Arabella Raincloud’s, “Finding the Edge,”) X-Peri,
October 2015
Ho|ma|ge to Cocktails for the Holy Dead
Ho|ma|ge
to Cocktails for the Holy Dead*
(Digital
Bricolage)
*Ho|ma|ge to
Cocktails for the Holy Dead (image to accompany Michael Rothenberg II’s “Control,”)
X-Peri,
September 2015
Ho|ma|ge to the Pavement’s Messiah
Ho|ma|ge
to the Pavement’s Messiah*
(Digital
Bricolage)
*Ho|ma|ge to
the Pavement’s Messiah, (image to accompany Rupert M. Loydell’s, “OBJECT,
GESTURE, GRID,”) X-Peri,
December 2015
Wednesday, June 20, 2018
Ho|ma|ge to the Convenience of Modernity
Ho|ma|ge
to the Convenience of Modernity*
(Digital
Bricolage)
*Ho|ma|ge to the
Convenience of Modernity (image for the back cover art of Heath Brougher’s To
Burn in Torturous Algorithms) Weasel Press, 2018
Tuesday, June 19, 2018
Sunday, June 17, 2018
Ho|ma|ge to Destament’s Brisure
Ho|ma|ge
to Destament’s Brisure*
(Digital Bricolage)
*Ho|ma|ge to
Destament’s Brisure (image
to accompany Rachel Blau DuPlessis’ “Excerpts from Eurydics,”) X-Peri,
February 2016
Ho|ma|ge to קֹ֖ול דְּמָמָ֥ה דַקָּֽה
Ho|ma|ge
to קֹ֖ול דְּמָמָ֥ה דַקָּֽה*
(Digital
Bricolage)
*Ho|ma|ge to קֹ֖ול דְּמָמָ֥ה
דַקָּֽה
(image to accompany Nathan Spoon’s “The Composite Stone”) X-Peri,
June 2016
Saturday, June 16, 2018
Ho|ma|ge to the Arabic Zero
Ho|ma|ge
to the Arabic Zero*
(Digital
Bricolage)
*Ho|ma|ge to the
Arabic Zero
(image to accompany Alison Clockwise Cat Ross’, “The Arabic Zero,”) X-Peri,
May 2016
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